Iron Butterfly may have cancelled)įebruary 24-25, 1967 Avalon Ballroom, San Francisco, CA (supporting Moby Grape & Charlatans) The Moonkes, The Mamas and The Papas, and The Miracles, were all in the audience.įebruValley Music Theatre, Woodlands Hills, CA (with Love, Canned Heat Blues Band (cancelled), East Side Kids & Morning Glory.
Fourteen groups were scheduled to play between 2:00am and 6:00am at the first “after hours” event, but in the end only eight of them made the stage.
#Butterfly kaleidoscope art series
The Hullabaloo began an ambitious series of “after hours” shows tonight, promoted by KBLA’s deejay Humble Harve. JanuHullabaloo, Earl Carroll Theater, Hollywood, CA (with Love, Electric Prunes, Seeds, Sons Of Adam, Sound Machine, The Mandala, Coloring Book, Seeds Of Time, Peanut Butter Conspiracy, Smokestack Lightning, Factory, Reasons For Being, Wild Ones. The band played there as house band for a few months, including the month of July) ? ?, 1967 Rose Deitch's Galaxy, West Hollywood, CA (with Gross National Product. Field Band, Sleepyhollow, Sam Weatherly, (MC) Gary Berwin & (MC) Mark Fisher)
#Butterfly kaleidoscope art mod
November-December ?, 1966 Whisky-A-Go-Go, West Hollywood, CA (The band played numerous gigs at this venue in this period,possibly as many as 36)ĭecemWhisky-A-Go-Go, West Hollywood, CA (Supporting Leaves)ĭecember 23-31, 1966 Whisky-A-Go-Go, West Hollywood, CA (Supporting The Turtles)ĭecemSpectrum 2000, Los Angeles, CA (New Years Eve Mad Mod Party, with West Coast Pop Art Experimental Band, Mystic Astrologic Crystal Band, W.C. Late ?, 1966 Civic Auditorium, Oakland, CA (with The Doors) SeptemVeteran's Memorial Hall, Oakland, CA (with Deed Of Shame, The Friendly Stranger & Motley Crew) September 16-17, 1966 Pioneer Ballroom, Suisun City, CA (Grand Opening - Dance & Show, with Love, Sir Douglas Quintet & The Experience) IRON BUTTERFLY #1 (AUG 1966 - SDanny Weis and Jerry Penrod leave to join Rhinoceros)ġ) Danny Weis: Guitar (b: Huntington Park, CA)Ģ) Doug Ingle: Keyboards, Vocals (b: Omaha, NE)ģ) Darryl DeLoach: Vocals (b: Santa Barbara, CA)Ĥ) Jerry Penrod: Bass (b: San Diego, CA)ĥ) Ron Bushy: Drums, Vocals (b: Washington, DC)Īugust - November 1966 Bido Lito's, Los Angeles, CA (The band played there as house band for a few months, six nights a week (open 10pm nightly except Sundays), three to four shows a night) June - August 1966 Bido Lito's, Los Angeles, CA (The band played there as house band for a few weeks, six nights a week, three to four shows a night) June ?, 1966 The Palace, San Diego, CA (The band played there as house band for a few weeks)Ĭa. APR 1966)Īpril 1966 The Palace, San Diego, CA (The band played there as house band for a few weeks) FEB 1966)įebruary 1966 The Palace, San Diego, CA (The band played there as house band for a few months) ? ?, 1965 The Palace, San Diego, CA (The band played there as house band for a few months) In addition to making art, Hirst has launched stores that sell editioned works ( Other Criteria), a restaurant (Pharmacy2) and even his own London museum ( Newport Street Gallery).įind Damien Hirst paintings, prints and other works on 1stDibs.4) Jerry Chater (aka Jeri Martinson) vocals Belonging to his ongoing series of “spot” paintings, begun in the 1980s, the 2005 piece Xylene Cyanol Dye Solution is striking for its machinelike, industrial uniformity and almost childlike simplicity, a seeming rebuke to the idea of the artist-as-genius.
He often creates in series, as with The Cure (Violet) and The Cure (Turquoise), both from 2014, which are among several pill paintings referencing Andy Warhol’s embrace of mass production. Working primarily in sculpture, Hirst takes after French modernist master Marcel Duchamp in his use of ready-made objects and materials, which he combines to ironic effect. In the 1990s, Hirst said, “I can’t wait to get into a position to make really bad art and get away with it.” And indeed, he is notorious for piquing critics and baffling the public with such pieces as his signature glass vitrines containing dead sheep or sharks in formaldehyde, and his diamond-encrusted skull, For the Love of God. He is the most prominent of the so-called Young British Artists, or YBAs, a group, largely composed of Hirst’s classmates at Goldsmiths, in London, that began exhibiting together in warehouses and factories after 1988 and is known for the use of unconventional materials and “shock tactics.” British artist Damien Hirst is widely considered the enfant terrible of contemporary art.
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